Traditional Korean music includes both the folk and court music styles of the Korean people.
Traditional Korean music can be divided into at least four types: courtly, aristocratic, scholarly, and religious.
Korean Folk Music
Because the folk songs of various areas are categorized under Dongbu folk songs, their vocal styles and modes are limited. Therefore, currently scholars are attempting to categorize the Dongbu folk songs further based on different musical features. These songs are mostly simple and bright. Namdo folk songs are those of Jeolla Province and a part of Chungcheong Province. While the folk songs of other regions are mostly musically simple, the folk songs of the Namdo region, where the famous musical genres pansori and sanjo were created, are rich and dramatic. Some Namdo folk songs are used in pansori or developed by professional singers and are included as part of their repertories. Jeju folk songs are sung on the Jeju Island. They are more abundant in number than any other regional folk songs, and approximately 1600 songs are transmitted today. Jeju folk songs are characterized by their simple and unique melodic lines and rich texts.
Pansori
Pansori is a long vocal and percussive music played by one singer and one drummer. The lyrics tell one of five different stories, but is individualized by each performer, often with updated jokes and audience participation. One of the most famous pansori singers is [박동진[Pak Tongjin]].
Pungmul
Pungmul is a Korean folk music tradition that is a form of Percussion music includes drumming, dancing, and singing. Most performances are outside, with dozens of players, all in constant motion. Samul nori, originally the name of a group founded in 1978, has become popular as a genre, even overseas. It is based on Pungmul musical rhythmic patterns and uses the same instruments, but is faster and usually played while sitting down.
Sanjo
Sanjo is played without a pause in faster tempos. It shifts rhythms and melodic modes during the song. The tempos increases in each movement. The general style of the sanjo is marked by slides in slow movements and rhythmic complexity in faster movements. Sanjo is entirely instrumental music that shifts rhythms and melodic modes during the song. Instruments include the changgo drum set against a melodic instrument, such as the gayageum or ajaeng Famous practitioners such as Kim Chupk'a, YiSaenggang and Hwang Byungki



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